Stephanie Comilang

1980, Toronto, Canada
I looked at design elements from the Philippines, and so it really came from a traditional idea of Filipino fan design, and then incorporating butterfly wings into it. I started thinking about the butterfly within the context of Ventaglio because my work also deals with how people travel - the idea of the monarch butterfly, who travels very far and is one of the longest-travelling animals in the world. I see wind more as freedom. It’s sort of like direction, but also like needing to gosomewhere. The monarch butterfly travels to basically survive. So the butterfly seemed apt - to parallel the idea of the ventaglio and wind with the idea of the butterfly.
Ventaglio
Collection
Stephanie Comilang

Ventaglio shifts into Stephanie Comilang’s cinematic lens on movement, migration, and belonging. Stephanie Comilang is a Filipina-Canadian artist and filmmaker known for weaving documentary and speculative storytelling into what she has called “sci-fi documentaries.” Her films trace how diaspora, labour, mobility, and global systems shape the way people belong, or are kept in motion, across borders. Working across moving image and installation, Comilang builds layered narratives driven by multiple voices, often foregrounding overlooked communities and the hidden architectures of power behind everyday life. Her practice is both poetic and investigative: tender to lived experience, sharp about economics and displacement. Within Ventaglio, Comilang’s perspective expands the fan beyond symbol, toward a vessel for stories, journeys, and the dignity of women and girls navigating the world.

Solo Exhibitions

  • Schirn Kunsthalle, Frankfurt (2025)
  • National Gallery of Canada, Ottawa (2025)
  • CARA – Center for Art, Research and Alliances, New York (2025)
  • Daniel Faria, Toronto (2024)
  • Silverlens, Manila (2024)
  • Museo Nacional Thyssen-Bornemisza, Madrid (2024)
  • Gallery 44, Toronto (2024)
  • Walter Phillips Gallery at the Banff Centre, Banff (2023)
  • ChertLüdde, Berlin (2022)
  • Julia Stoschek Collection, Berlin (2022)
  • Mackenzie Gallery, Regina (2022)
  • Gallery TPW, Toronto (2022)
  • The Institute for Endotic Research, Berlin (2021)
  • Warehouse 421, Abu Dhabi (2021)
  • Museum of Contemporary Art, Toronto (2019)
  • TOR, Frankfurt am Main (2019)
  • Artspeak, Vancouver (2017)
  • Kyoto Art Centre, Kyoto (2014)

Group Exhibitions

  • Ateneo Art Gallery, Manila (2026)
  • Tanoto Art Foundation, Singapore (2026)
  • GHOST 2568, Bangkok (2025)
  • Hawai‘i Triennial, Honolulu (2025)
  • n.b.k., Berlin (2025)
  • Saatchi Gallery, London (2025)
  • Sharjah Biennial, Sharjah (2025)
  • ChertLüdde / Potsdamer Straße 97, Berlin (2024)
  • Raven Row, London (2024)
  • Berlinische Galerie / KINDL, Berlin (2024)
  • Tai Kwun Gallery, Hong Kong (2024)
  • University of Queensland Art Museum, Brisbane (2024)
  • Alexander Levy, Berlin (2024)
  • National Gallery, Prague (2023)
  • ChertLüdde, Berlin (2023)
  • Silverlens Gallery, New York (2023)
  • Kunsthalle Trondheim, Trondheim (2023)
  • Stanley Picker Gallery, Kingston University, London (2023)
  • The Tanks at Tate Modern, London (2022)
  • University of Queensland Art Museum, Brisbane (2022)
  • Dazibao, Montreal (2022)
  • Hamburger Bahnhof, Berlin (2021)
  • Wilhelm Hallen, Berlin (2021)
  • Centro Internacional de Cultura Contemporánea Tabakalera, San Sebastián (2021)
  • Kinderhook & Caracas, Berlin (2021)
  • ChertLüdde, Berlin (2021)
  • M Woods, Beijing (2020)
  • European Media Arts Festival, Kunsthalle Osnabrück (2020)
  • NTT InterCommunication Center, Tokyo (2020)
  • Art Gallery of Alberta, Edmonton (2019)
  • Sullivan Galleries at the School of the Art Institute of Chicago, Chicago (2019)
  • Para Site, Hong Kong (2019)
  • Sullivan & Strumpf, Singapore (2019)
  • Centre of Contemporary Art, Vilnius (2019)
  • Centre d’art contemporain de la Ferme du Buisson, Paris (2019)
  • Small Arms Inspection Building, Mississauga (2019)
  • Bärenzwinger, Berlin (2019)
  • Kitchener-Waterloo Art Gallery, Kitchener-Waterloo (2018)
  • Supportico Lopez and Archivo Conz, Berlin (2018)
  • Video & Performance Triennale, Bangkok (2018)
  • Contemporary Art Museum of Estonia, Tallinn (2018)
  • Gallery 856, Cebu (2018)
  • Kunstverein Hildesheim, Hildesheim (2018)
  • Savvy Contemporary, Berlin (2018)
  • DGTLFMNSM, Dresden (2018)
  • Prefix ICA, Toronto (2018)
  • Dikeou Collection, Denver (2017)
  • Forest City Gallery, London, Ontario (2017)
  • The Ryder, London (2017)
  • Galerie KUB, Leipzig (2017)
  • Gegenkino, Leipzig (2017)
  • Kunstverein Hildesheim, Hildesheim (2017)
  • Contact Festival, Toronto (2017)
  • Dazibao, Montreal (2017)
  • S.A.L.T.S., Basel (2016)
  • Oasis Gallery, Hong Kong (2016)
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